A Muslim punk house in Buffalo, New York, inhabited by burqa-wearing riot girls, mohawked Sufis, straightedge Sunnis, Shi'a skinheads, Indonesian skaters, Sudanese rude boys, gay Muslims, drunk Muslims, and feminists. Their living room hosts parties and prayers, with a hole smashed in the wall to in[...]

In Journey to the End of Islam, Michael Muhammad Knight -- whose work has led to him being hailed as both the Jack Kerouac and Hunter S. Thompson of American Islam -- wanders through Muslim countries, navigating between conflicting visions of his religion. Visiting holy sites in Pakistan, Syria, Egy[...]

The Salafi movement invests supreme Islamic authority in the precedents of the Salaf, the first three generations of Muslims, who represent a Golden Age from which all subsequent eras can only decline. In "Why I Am a Salafi," Michael Muhammad Knight confronts the problem of origins, questioning the [...]

With a cast of characters ranging from Malcolm X to 50 Cent, Knight's compelling work is the first detailed account of the movement inextricably linked with black empowerment, Islam, New York, and hip-hop. Since their beginning as a cluster of outcasts from the Nation of Islam's Harlem mosque in the[...]